Perhaps Gianina Carbunariu’s most political play. She investigates the aspects concerning ‘land-grapping’; when companies obtain access to land, buying or leasing, by corrupt means with help of the government. Thereby peasants lose their land against their will.
The four scenes of FOR SALE are very different in their aesthetics, including direct interaction with the audience; docu-fiction; realism; and a performative scene of translation/adaptation.
