Snoo Wilson (born Andrew James Wilson August 2, 1948) is a dramatist and theater director. Wilson began to attract attention with his plays Pignight, (1971) a nightmarish fantasy about a mentally disturbed WW II soldier, who while on a Lincolnshire pig farm, believes that pigs are about to take over the world, and Blowjob (1971), an exploration of urban violence during which a quantity of raw meat was thrown on stage to simulate the corpse of an Alsatian dog which had just been blown up - the title was a pun on this event. In 1978, The Glad Hand, in which a South African tycoon employs a troupe of actors and sails an oil tanker through the Bermuda Triangle, hoping to magically summon up the Anti-Christ and kill him in a Wild West gunfight, premiered at the Royal Court Theatre and won the John Whiting Award. Wilson is a playwright with a highly individual style that has nothing to do with either realism or the epic theatre of Bertolt Brecht, Wilson delights in the arcane, the occult, and the irrational, whether in the Gothic intrigues of Vampire (1973), the space aliens of Moonshine (1999), or the dueling wizards of The Number of the Beast (1982). Magic, creativity, and sexual activity are shown to be capable of releasing immense energies that can rupture the structures of the status quo, opening up new possibilities. Wilson is noted for his ability to fuse social criticism with a surrealistic style that is highlighted with bold strokes of theatricality. In Darwin's Flood (1994), for example, Charles Darwin is visited on the eve of his death by philosopher Friedrich Nietzsche, his fascistic sister Elizabeth, her feckless husband Bernard, a dominatrix Mary Magdalene, and Jesus in the guise of an Irish long-distance bicyclist who quickly seduces Charles's wife, Emma. Meanwhile, a mammoth Ark breaks through the lawn of Darwin's backyard. The play becomes an affirmation of life in all its rambunctious complexity, even in the face of death. Wilson also created stage designs for some of the plays he directed.
