A crying child is left on the back seat of a car, who does he belong to? In a braid of episodes and small monological tableauxs, stretching from the 1950s to the present, we meet a group of people around the figure Harry, who is both the child in the back seat and an old man. Consumerism, sexism, paternalism and hypocrisy are consistent themes, and small comedic set ups lead to brilliant pay offs! An immensely talented, funny, grotesque and well-written play.
