The début-drama of the French-speaking Irish dramatist Samuel Beckett. The drama which evidently lacks dramatic action in the common sense renders a “meaningless” action with dissolved conceptions of time and is populated by grotesque, machine-like creatures who have no identity. “The action” is an infinite waiting for something – a vain hope which toys with anonymous people. The many facets of the play are fascinating and the scenic expressiveness is frighteningly powerful.
EN ATTENDANT GODOT, Dramaten 2019, Jonas Karlsson, Johan Ulveson, Director Karl Dunér © Sören Vilks